Acoustic intensity data related to the 'musical affect' of 50 pieces of electro-acoustic music
  • Description

    The collection contains acoustic intensity data of 50 pieces of commercially available music (3 large-scale compositions, 2 computer-interactive improvisations, and 45 short electro-acoustic works). Roger wrote scripts in Praat ( a free software programme for acoustic analysis) to analyse intensity durations and intensity change rates of successive rises and falls in the pieces. Intensity is measured window by window using the 'energy averaging' option within Praat, and using a pitch range for the analysis from 20Hz upwards, which provides intensity as Sound Pressure Level (SPL) in dB. Each file contains two columns of data, the first, 'sliceedntime(sec)' indicates the time at which the measured intensity slice ends. The first slice is either 0.16 or 0.17 secs (for reasons related to the analysis technique), while all subsequent slices are 0.04secs long (40msec). The pieces vary in length. The second column 'intens(dB)' indicates the measured (unweighted) Sound Pressure Level in dB. The files are zipped, so unzipping software is required to access the data.


    • Data publication title Acoustic intensity data related to the 'musical affect' of 50 pieces of electro-acoustic music
    • Description

      The collection contains acoustic intensity data of 50 pieces of commercially available music (3 large-scale compositions, 2 computer-interactive improvisations, and 45 short electro-acoustic works). Roger wrote scripts in Praat ( a free software programme for acoustic analysis) to analyse intensity durations and intensity change rates of successive rises and falls in the pieces. Intensity is measured window by window using the 'energy averaging' option within Praat, and using a pitch range for the analysis from 20Hz upwards, which provides intensity as Sound Pressure Level (SPL) in dB. Each file contains two columns of data, the first, 'sliceedntime(sec)' indicates the time at which the measured intensity slice ends. The first slice is either 0.16 or 0.17 secs (for reasons related to the analysis technique), while all subsequent slices are 0.04secs long (40msec). The pieces vary in length. The second column 'intens(dB)' indicates the measured (unweighted) Sound Pressure Level in dB. The files are zipped, so unzipping software is required to access the data.


    • Data type dataset
    • Keywords
      • Music composition
      • Electroacoustic music
      • Statistical acoustics
      • Dynamics affect
      • Auditory looming
    • Funding source
      • University of Western Sydney
    • Grant number(s)
      • - UWS002
    • FoR codes
      SEO codes
      Temporal (time) coverage
    • Start date 2008/04/01
    • End date 2008/04/30
    • Time period
       
      Spatial (location,mapping) coverage
    • Locations
    • Related publications
        Name A rise-fall temporal asymmetry of intensity in composed and improvised electroacoustic music. Organised Sound, 2010 vol 15, no. 2, pp 147-158
      • URL https://hdl.handle.net/1959.7/503212
      • Notes
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      Citation Dean, Roger; Bailes, Freya : Acoustic intensity data related to the 'musical affect' of 50 pieces of electro-acoustic music. Western Sydney University.